Charlie Chaplin - 'The Cure'

Now here is a movie you don't want to miss!

'The Cure' is one of Chaplin's finest shorts, it was made in 1919 and runs for about 25 minutes.

It is a gem of a movie with guaranteed laughs, even cynics will find the corners of their mouths involuntarily turning up. The gags are clever to say the least and superbly timed, watch the revolving door scene and you'll see exactly what I mean.

Chaplin was known for doing endless takes of one scene, largely because nothing was ever planned. First he would come up with an idea, 'Charlie at the Seaside' for example or something similarly basic. He had a lavish set built at huge expense and then improvised with his cast for days or weeks on end. The cameras were constantly running, and the amount of film used was ridiculous. A story line would emerge and out of the cutting room would come another Chaplin blockbuster.

It's been very exciting to work on such a masterpiece, and I hope that the music I have written does it justice.To get to grips with this movie I did much the same as Chaplin, I improvised for days on end while until something musically workable appeared, but without the lavish set. The movie is well structured, and with plenty of opportunities to screw around with both the music and the effects, I've had a really good time putting it all together.

Anyhow, like I said you don't want to miss this movie, so get off yer arse and come and see me play the bloomin' thing!

Cheers everybody,

DW

PS I'm showing Charlie Chaplin's 'The Cure' at the Komedia Brighton Sat 19 Nov 6.00pm and Sat 10 Dec at 6.00pm

http://komediabrighton.ticketsolve.com/shows/126519810/events

Harold Lloyd - 'Never Weaken'

Harold Lloyd's 'Never Weaken' was released in 1921 and is a silent classic. It contains all the elements you would expect from a great Harold Lloyd short. It has a good boy meets girl plot line with unexpected twists, dangerous and crazy stunts and plenty of laughs.

This was a tough one to put together because typically the scenes are detailed and precise, which is exactly what the music score needed to be and of course timing is of the essence. A lot of the sound effects cues come at musically tricky moments, which means I have to pick up sound effects with the right hand while I hack away at the keys with the left or vice versa.  The instruments are laid out very carefully in advance to avoid missing a cue, but this is all part of the fun!

I have stretched myself a bit on this one, but I think it has been well worth it. The score I have written for this movie is essentially ragtime piano music over a break-beat. It gives the movie a 1920s retro feel and flows nicely with the style of the picture. The themes are fairly simple eight bar phrases and the material lends itself to a multitude of variations, so I can go from musically happy to musically sad etc in a split second. 'Never Weaken' is a lovely piece of movie making, and it's been huge fun to work on.

Anyhow, if I have done my job properly, you shouldn't notice any of that stuff, you'll just enjoy the show!

I'm showing Harold Lloyd's 'Never Weaken' at the Komedia Brighton Sat 19 Nov 6.00pm and Sat 10 Dec at 6.00pm

http://komediabrighton.ticketsolve.com/shows/126519810/events

Be great to see you there!

Cheers,
 DW

The Sound Of Silents

Movie making techniques in the early 1900s were very basic and crudely mechanical. Scenes were shot with just one camera that was cranked by hand that recorded a shaky black and white moving image. No sound track was recorded or synchronised with the film, and so they became known as ‘silent movies’.

The local cinema organist or pianist created the sound track, skilfully weaving current themes and tunes into an improvised score that was designed to enhance the action projected onto the silver screen. As a composer and performer, I have always had a fascination in the way that music can completely transform a moving image. And with silent movies there is additional element of an improvised soundtrack, which can bring uniqueness to every single showing of that movie. No two performances were probably ever the same!

So even today these early silent movies are still without a designated bespoke musical soundtrack. And if they are to be viewed in the way that the moviemakers intended, they still require a live accompaniment.

To carry on this tradition, I have created a new take on an old idea by playing my own score on a honky-tonk piano with break-beat percussion and live sound effects. A kind of one-man band come Foley artist! This is a far cry from my normal scope of musical activity, which could involve anything from recording sessions with the LSO, keyboard playing at The Phantom of the Opera or solo piano playing for a new Bond film press launch!

Just by coincidence, I have written and produced with international singer Kate Dowman, whose mother nursed silent movie star Charlie Chaplin in his final years. She related that he had remained completely silent for many years, shunning distraught family visitors whom he believed were after his amassed wealth. Some believed he refused to speak as some kind of return to his early stardom as a mute clown. However, just before he died he broke the silence and was heard by his nurse to utter under his breath “I wish they’d all just go away!”

Not a great line to finish on for such a great funnyman. But I would like to think that if this immensely talented pioneer of those early movies knew that his legacy was about to be renewed and enjoyed by yet another generation of movie goers, he may have felt differently in his final years.

Look out for my Silent Movie Experience shows, two coming up at the Komedia Brighton. If you love silent movies, I guarantee you are in for a treat!

Thanks for reading,
DW